Today Arts Council England announces its National portfolio of arts organisations and its Major partner museums for 2015-18.
I believe the decisions we’ve made reward ambition. We have looked to the future, investing in work for children and young people, and seeking to develop talent, wherever it emerges. We’ve sought to reach into more communities, while continuing to invest in arts organisations that have done great things in the last three years; we want them to build on their past work, and go further.
The Arts Council’s investment process is well underway; in July we are going to announce how we plan to invest for the next three years in a National portfolio of organisations - one of our three connected investment strands alongside Grants for the arts and our strategic funds.
I’m not good with heights, never have been, never will be. So climbing a hundred foot up the main mast of ss Great Britain in Bristol to mark the launch of a new heritage experience – Go Aloft! – was always going to be a challenge.
I'm writing this blog on my way to Durham, a great city with a council going out of its way to embrace and enhance its cultural offer. I'm looking forward to a conversation about what we can do together, both in the short term and the long - building capacity and engagement.
By now everyone will know about the reductions in funding that have been passed on to Arts Council England, subsequent to the Chancellor’s autumn statement. These cuts will have an effect over the next two years.
Cuts are never good news. I know that budgets will have been set, and this will be an unwelcome further disruption.
In the light of these cuts, there are a couple of points that I’d like to make.
Arts Council Chief Executive, Alan Davey, spoke at the opening of the Michael Chown Prototyping Hall: part of the Heritage Learning Hub at the University of Birmingham on Wednesday 19 September. The following are extracts from his speech.
It is lovely to be here at the prototyping hall, a unique development as part of the pioneering work of the Heritage Learning Hub, work that I first saw about 18 months ago but which has come on apace since then…