Last week I attended two presentations given to Arts Council England Relationship Managers by Catherine Langabeer, Operations Director at Julie's Bicycle. Her talk focused on the background to why Sustainability matters, what the arts council is asking of organisations and how Julie’s Bicycle helps to deliver this.
Unfortunately the catalyst for collaboration across our sector has often been finance rather than creative zeal. As the current context demonstrates, faced with future financial austerity we are once again attempting to co-operate across and within arts forms (and with the Arts Council) to get our financial arguments heard in government rather than to fully embrace collaborative working as a long-term organisational development strategy.
Welcome to the first of my posts on the Arts Council’s blog channel. This blog and the ones which follow will give me and others working here - and within the sector in general - a space to communicate our passion for arts and culture and to share some of our knowledge about current issues. It’s also a place for conversation and I’m looking forward to reading some of your thoughts on the topics we talk about.
This summer poet, performer and Creative Director of Mercy Nathan Jones, used Artists' international development funding for a five-day research trip to Berlin culminating in an Electronic Voice Phenomena performance at Künstlerhaus Bethanien and a workshop for Berlin-based artists in Liverpool.
We asked him about his work, the trip and his recommendations for artists undertaking a similar project.
This weekend sees the end of the 20th edition of the London Jazz Festival. Forty events at the festival feature musicians who have participated in the talent development project Take Five, including a bespoke performance this Saturday by the 10 participants in the first edition of Take Five: Europe.
The cultural sector is a vital part of the UK’s economic success – delivering on a global and local scale. Economic impact studies are a great way to demonstrate the impact of our work and make the case for continued investment in arts and culture?
A number of tools have been developed that allow value to be measured using economic valuation methods but choosing the right one is not straightforward.