Arts Council England

Alan's update on the Chancellor's autumn statement

By now everyone will know about the reductions in funding that have been passed on to Arts Council England, subsequent to the Chancellor’s autumn statement. These cuts will have an effect over the next two years.

Cuts are never good news. I know that budgets will have been set, and this will be an unwelcome further disruption.

In the light of these cuts, there are a couple of points that I’d like to make.

Live webchat with Alan Davey, 26 November 2013

Live chat with Arts Council England's Chief Executive, Alan Davey, Tuesday 26 November 2013.

Welcome to the Arts Council live chat blog. Questions and answers from the live chat will be posted below.

You can find out more about our upcoming live chats and download transcripts on our website. You can also join in the live chat conversation on Twitter using #ACElivechat.

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Alan Davey's speech at the opening of the Michael Chowen Prototyping Hall, University of Birmingham

Arts Council Chief Executive, Alan Davey, spoke at the opening of the Michael Chown Prototyping Hall: part of the Heritage Learning Hub at the University of Birmingham on Wednesday 19 September. The following are extracts from his speech.

It is lovely to be here at the prototyping hall, a unique development as part of the pioneering work of the Heritage Learning Hub, work that I first saw about 18 months ago but which has come on apace since then…

Live chat with Brian Ashley, Director, Libraries

Live chat with the Arts Council's Director, Libraries, Brian Ashley, Wednesday 5 June 2013.

Welcome to the Arts Council live chat blog. Questions and answers from the live chat will be posted below.

You can find out more about our upcoming live chats and download transcripts on our website. Join the live chat conversation #ACElibraries.

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Why the Arts Council is supporting emerging artists in contemporary popular music

Last week we launched the new Arts Council England/PRS for Music Foundation Momentum Music Fund, aimed at emerging talent in contemporary popular music. This is not an area that the Arts Council has ventured into in any systematic way before, although through our funding to organisations such as Small Green Shoots, Generator, Urban Development and British Underground, and lottery grants through our Grants for the arts scheme we have been investing over £2 million a year in this area of music.

The Happy Museum Project

The Happy Museum Project, led by the Museum of East Anglian Life and funded through the Arts Council’s Renaissance Strategic support fund, is a programme to help museums look at and test the role they play in developing community resilience and wellbeing against global financial and environmental challenges.

Playing For Time

Theatre-maker and writer, Lucy Neal is working on a handbook mapping creative practices that inspire a sustainable future. Here she describes a residency with other artists at the Arvon Foundation retreat. Playing For Time is funded by Arts Council England and Transition Network, in partnership with Arvon, the Centre for Alternative Technology and the new economics foundation.

Taking Part: What use is data?

Rachel McGuire, a Research Officer at Arts Council England, talks about our recently published regional Taking Part profiles, which look at cultural engagement across England, and the value of data in arts and culture.

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Live chat with Peter Bazalgette

Live chat with Arts Council Chair, Peter Bazalgette, Tuesday 5 March 2013.

Welcome to the Arts Council live chat blog. Questions and answers from the live chat will be posted below.

You can find out more about our upcoming live chats and download transcripts on our website. Join the live chat conversation #ACElivechat.

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'Believe you can and you're halfway there.' Theodore Roosevelt

Last week I attended two presentations given to Arts Council England Relationship Managers by Catherine Langabeer, Operations Director at Julie's Bicycle. Her talk focused on the background to why Sustainability matters, what the arts council is asking of organisations and how Julie’s Bicycle helps to deliver this.

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