arts funding

There’s a great story to be told

It’s now been a week or so since we announced our decisions on National portfolio organisations and Major partner museums. We’ve had many reactions, as you’d imagine.

When you are making these kinds of announcements a press conference or in a blog, you have to think very quickly.

Reflecting on the process, and talking to people who’ve been on the receiving end of these decisions, I find myself wanting to share one or two thoughts I was unable to dwell on at the time. 

Looking back with pride - and forward with hope

Today Arts Council England announces its National portfolio of arts organisations and its Major partner museums for 2015-18.

I believe the decisions we’ve made reward ambition. We have looked to the future, investing in work for children and young people, and seeking to develop talent, wherever it emerges. We’ve sought to reach into more communities, while continuing to invest in arts organisations that have done great things in the last three years; we want them to build on their past work, and go further.

Public funding versus artistic freedom: are they mutually exclusive?

This year’s Edinburgh Festival opened with a typically thoughtful and provocative speech from the playwright Mark Ravenhill, about the relationship between the artist and society, and whether, to the truly adventurous spirit, public investment might prove as much a restriction as a security.

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